Thursday, June 18, 2009
Why not?
I'm quite a fan of RSS feeds these days. They are great for getting rid of some of the more "creative" (i.e. hideous and useless) features of web pages. I was just looking at some cinema sites to see what's on and none of them have an RRS feed for this. It seems such an obvious thing to do.
Tuesday, June 02, 2009
Warmer
Another fun weekend, but of a different sort. Rog can't visit Scotland without a high pressure system getting lonely and following him north, so we had wall-to-wall sunshine. We packed quite a lot of different things in, but one of my best pictures was taken on Calton Hill while we waited for the marathon to start.
I do need reminded sometimes that I live somewhere nice. We didn't envy the runners in Sunday's heat.
Monday, May 25, 2009
Wet but worthwhile
I thought I might manage to get a walk in last weekend, but it turned into a proper staying-overnight-and-getting-wet trip to the West Highlands.
Saturday started with a heroic attempt to avoid activity by dossing around Fort William in the rain. At one point, we were even procrastinating about whether we were procrastinating. The rest of the weekend could easily have vanished in a hedonistic frenzy of tea drinking, laughing at souvenir shops, and leafing through climbing guides in Nevisport. Yet somehow the afternoon saw us climbing a hill in the rain. There was no view to speak of, but once we came down the weather was clearing a little. The best part of the day was walking in to a bothy in evening sunlight, with a view of Eigg in the distance.
It's a while since I had a dose of bothy atmosphere, so this was very welcome.

And the situation is lovely:
The canoes weren't ours, but they make a nice picture.
Saturday started with a heroic attempt to avoid activity by dossing around Fort William in the rain. At one point, we were even procrastinating about whether we were procrastinating. The rest of the weekend could easily have vanished in a hedonistic frenzy of tea drinking, laughing at souvenir shops, and leafing through climbing guides in Nevisport. Yet somehow the afternoon saw us climbing a hill in the rain. There was no view to speak of, but once we came down the weather was clearing a little. The best part of the day was walking in to a bothy in evening sunlight, with a view of Eigg in the distance.
It's a while since I had a dose of bothy atmosphere, so this was very welcome.
And the situation is lovely:
Friday, May 15, 2009
Goodbye Paddy
I feel very sad about the demise of Paddy's Market. It always felt like a bit of the middle ages that had been forgotten about. And now it is no more, to be replaced by 'craft stalls', for fuck's sake.
Maybe I should just be grateful that I experienced something as visceral and unconsumerist in my lifetime.
Maybe I should just be grateful that I experienced something as visceral and unconsumerist in my lifetime.
Tuesday, May 05, 2009
Monday, May 04, 2009
I'm hungry now
About a year ago, there were various reports in the media of a report from the World Cancer Research Fund that claimed cooked meats raised your risk of bowel cancer. On reading this, of course, my cynicism circuits kicked in and I started searching for the flaw that is usually present in such reports. But I couldn't find one. So maybe I should give up Lorne sausage; a depressing thought. However, David Coloquon has excelled himself with an article about randomised controlled trials, and why dead pig wrapped in bread probably won't kill you.
Tuesday, April 28, 2009
Teaching the Professor
I think most of us have books that we turn to for some dependable entertainment, no matter how many times we've read them. One of mine bears the unlikely title of More Humorous Tales From 'Blackwood'. Blackwoods was a well-known magazine, that was published in Edinburgh between 1817 and 1980. Known colloquially as Maga, it flourished particularly in the era when the British Empire was still a political fact. I bought the book in a second hand book shop in York for 50p in (I think) 1978, and learned an enormous amount from it.
Despite being a fairly precocious ten-year-old reader, I did find it heavy going in places. Some of the lighter pieces went down easily enough (building a house in Barbados; tales of 'My Uncle' -- an eccentric inventor), but despite the humorous theme, some others defeated me. Take Two-Blocked, from 1953, a bewilderingly dull (to my 10 year old self) account of a naval exercise. Returning to the book years later, I realised that it was by Geoffrey Willans (author of Molesworth), and was a rather well-written piece that had a lot to say about post-war Britain trying to thrash out a new relationship with America (the exercise was a joint RN-USN one). Indeed many of the tales (and they are Tales, please note) speak, more or less directly, about the war and about Britain's transition to ex-empire.
Over the years, the collection has stayed fresh, with some over-familiar friends dying away, and previously ignored tales gaining new life. Teaching the Professor is one such. This seemingly slight account of a drive across north Africa in 1943 is one of my favorites. The narrator of the story and the Professor of the title are army officers who need to be in Cairo, but are in Algiers. They make the journey in a thirty-cwt truck, which they christen 'Pinafore'. The Professor really was a professor before the war, and is ferociously erudite, but has trouble with things like making tea, and coping with those who do not match his own high levels of ability. To alleviate the boredom of a fortnight's drive, they agree that whichever of them is not driving should educate the other. It's easy for the Prof., who holds forth about classical history, art, and literature, and can even use the territory of Carthage as an illustration when they pass through it. The narrator has more trouble thinking of a theme, until he discovers that the Professor cannot ride, and so instructs him on hunting, horses, managing hounds and other buccolic English pursuits as they traverse battlefields and amphitheatres.
Over the years, I have often wondered who the Professor really was. Only today did it occur to me to search for him on the internet. Within a minute, I had discovered that he was Enoch Powell. Teaching the Professor was written by Michael Strachan, whose obituary is here.
Despite being a fairly precocious ten-year-old reader, I did find it heavy going in places. Some of the lighter pieces went down easily enough (building a house in Barbados; tales of 'My Uncle' -- an eccentric inventor), but despite the humorous theme, some others defeated me. Take Two-Blocked, from 1953, a bewilderingly dull (to my 10 year old self) account of a naval exercise. Returning to the book years later, I realised that it was by Geoffrey Willans (author of Molesworth), and was a rather well-written piece that had a lot to say about post-war Britain trying to thrash out a new relationship with America (the exercise was a joint RN-USN one). Indeed many of the tales (and they are Tales, please note) speak, more or less directly, about the war and about Britain's transition to ex-empire.
Over the years, the collection has stayed fresh, with some over-familiar friends dying away, and previously ignored tales gaining new life. Teaching the Professor is one such. This seemingly slight account of a drive across north Africa in 1943 is one of my favorites. The narrator of the story and the Professor of the title are army officers who need to be in Cairo, but are in Algiers. They make the journey in a thirty-cwt truck, which they christen 'Pinafore'. The Professor really was a professor before the war, and is ferociously erudite, but has trouble with things like making tea, and coping with those who do not match his own high levels of ability. To alleviate the boredom of a fortnight's drive, they agree that whichever of them is not driving should educate the other. It's easy for the Prof., who holds forth about classical history, art, and literature, and can even use the territory of Carthage as an illustration when they pass through it. The narrator has more trouble thinking of a theme, until he discovers that the Professor cannot ride, and so instructs him on hunting, horses, managing hounds and other buccolic English pursuits as they traverse battlefields and amphitheatres.
Over the years, I have often wondered who the Professor really was. Only today did it occur to me to search for him on the internet. Within a minute, I had discovered that he was Enoch Powell. Teaching the Professor was written by Michael Strachan, whose obituary is here.
Monday, April 20, 2009
Ballardian
I heard about the death of J.G. Ballard when my radio alarm came on this morning. As it wasn't a school day, I lay for a while and drifted in and out of sleep, not really sure what had happened. I think he might have liked that.
The Borders
I've never quite understood the romance and mystique surrounding the Scottish Borders. Recently though, I may have been beginning to see the point.
Today was an Edinburgh local holiday and in a fairly random way, I decide to go to Dryburgh Abbey. So it's on to the bus and down the A68 to St Boswell. I walk down to the Tweed and follow it upstream for a mile or so. It's a stupidly pretty spring day. The sun is out, but it's early enough in the year not to be too stuffy. The woods are full of wild garlic, which I can smell if I step on any of the leaves. Small birds are twittering, a swan is being graceful on the river, fishermen are wading, and it wouldn't surprise me if I started singing Zip-a-Dee-Doo-Dah.
On getting to the little foot bridge where I cross the river, there is an Arcadian style temple on the hillock on the other side.

Somebody's been doing odd things to the landscape: I love this kind of stuff. It's a Temple of the Muses, to the memory of the poet James Thomson, erected by the Earl of Buchan, who was keen on making this area a kind of open-air monument to Scotland's past. In fact, a Temple of Caledonian Fame. The Earl was also keen to preserve (and perhaps to "improve") Dryburgh Abbey itself, which is where I go next.
Dryburgh is a ruin, but a really interesting one. It has some of the best preserved medieval paintwork in Britain (don't get excited, it's just smudgy marks really), and has wonderful trees round it (some of them thanks to the earl again). Also there are the burial places of Walter Scott and Douglas Haig. Haig's gravestone is of the standard World War 1 design.

I have a nice lunch, during which I eavesdrop on a couple sitting next to me. What are they up to? The woman gets jumpy when she thinks she recognises somebody else coming in. It's tempting to stay and see what their assignation is about, but I head off for another part of the yer man's hall of fame. It's a 10m high statue of William Wallace, looking across at the Eildon hills.

It's a pity that somebody has tried to colour in the shield in that rather half-hearted way. Somebody should do a study of bad art inspired by Wallace.
So there we are, a day out full of quirky stuff in the Borders. I'll have to go again.
Today was an Edinburgh local holiday and in a fairly random way, I decide to go to Dryburgh Abbey. So it's on to the bus and down the A68 to St Boswell. I walk down to the Tweed and follow it upstream for a mile or so. It's a stupidly pretty spring day. The sun is out, but it's early enough in the year not to be too stuffy. The woods are full of wild garlic, which I can smell if I step on any of the leaves. Small birds are twittering, a swan is being graceful on the river, fishermen are wading, and it wouldn't surprise me if I started singing Zip-a-Dee-Doo-Dah.
On getting to the little foot bridge where I cross the river, there is an Arcadian style temple on the hillock on the other side.
Somebody's been doing odd things to the landscape: I love this kind of stuff. It's a Temple of the Muses, to the memory of the poet James Thomson, erected by the Earl of Buchan, who was keen on making this area a kind of open-air monument to Scotland's past. In fact, a Temple of Caledonian Fame. The Earl was also keen to preserve (and perhaps to "improve") Dryburgh Abbey itself, which is where I go next.
Dryburgh is a ruin, but a really interesting one. It has some of the best preserved medieval paintwork in Britain (don't get excited, it's just smudgy marks really), and has wonderful trees round it (some of them thanks to the earl again). Also there are the burial places of Walter Scott and Douglas Haig. Haig's gravestone is of the standard World War 1 design.
I have a nice lunch, during which I eavesdrop on a couple sitting next to me. What are they up to? The woman gets jumpy when she thinks she recognises somebody else coming in. It's tempting to stay and see what their assignation is about, but I head off for another part of the yer man's hall of fame. It's a 10m high statue of William Wallace, looking across at the Eildon hills.
It's a pity that somebody has tried to colour in the shield in that rather half-hearted way. Somebody should do a study of bad art inspired by Wallace.
So there we are, a day out full of quirky stuff in the Borders. I'll have to go again.
Monday, March 30, 2009
Monday, March 23, 2009
Fife coastal walk: 6
This stage doesn't start out as much of a coastal walk, thanks to RAF Leuchars. The first task is to walk past the neatly fenced military quarters, bringing you up in front of St Athernase Church. That's genuine Norman blind arcading, that is.

If I'd known I'd have lingered longer, but I was itching to stretch my legs. After some slightly confusing signposting, I found myself walking across country rather like Suffolk, where I lived for some years. I say this because it was flat heathland with pine trees and sand dunes in the distance. And it was sunnier than Scotland in March usually is.
After walking past more perimeter fence of RAF Leuchars, I finally got on to Tentsmuir beach, and very fine it is too. There is a sense of space here that is utterly different from anything else on this already very varied walk round Fife. The military theme was never very far away though, as I could hear gunfire and occasional explosion during most of the walk. This came from the firing range at Buddon Ness, which is only a few miles away to the North across the Tay.

I settled into a steady pace, and headed North, passing the odd figure on the huge expanse of sand. After a bit, there was a somewhat greater concentration of people, clustered around the one access road that leads to the sea. I found this relative crowd quite heartening: it all seemed very British in its determination to enjoy the North Sea in March.
I thought the beach section would be the slow part of the day, but it passed fairly easily (I'm talking subjective time here--you know how some bits walk themselves and others drag). It wasn't long before I was watching some seals lazing around on Abertay Sands. There's an awful lot of sand in this corner of Fife. In fact, this section of coast is growing at a healthy rate. I cut across the dunes and came across more tank traps. It turns out these were constructed on the high tide line by Polish forces in 1941. The sea is to the left in the photo below.

By this time I had turned my final corner. As at Fife Ness, the vista swings round and we're on the Tay. All that walking on sand had taken it out of me though, and the section round to Tayport felt like a real task. Also, my idea of cutting across the mudflats was not a very good one. But there we are, all the best walks should have an ill-considered section.
Let's end with more bridges.

From Newport-on-Tay I caught a bus into Dundee and refreshed myself with Irn Bru, then caught a train home. I realized that, oddly, I'd never been on the Tay Bridge before. From the train, you can see the piers of the original bridge (the one that memorably blew down in 1879) poking out of the water.
If I'd known I'd have lingered longer, but I was itching to stretch my legs. After some slightly confusing signposting, I found myself walking across country rather like Suffolk, where I lived for some years. I say this because it was flat heathland with pine trees and sand dunes in the distance. And it was sunnier than Scotland in March usually is.
After walking past more perimeter fence of RAF Leuchars, I finally got on to Tentsmuir beach, and very fine it is too. There is a sense of space here that is utterly different from anything else on this already very varied walk round Fife. The military theme was never very far away though, as I could hear gunfire and occasional explosion during most of the walk. This came from the firing range at Buddon Ness, which is only a few miles away to the North across the Tay.
I settled into a steady pace, and headed North, passing the odd figure on the huge expanse of sand. After a bit, there was a somewhat greater concentration of people, clustered around the one access road that leads to the sea. I found this relative crowd quite heartening: it all seemed very British in its determination to enjoy the North Sea in March.
I thought the beach section would be the slow part of the day, but it passed fairly easily (I'm talking subjective time here--you know how some bits walk themselves and others drag). It wasn't long before I was watching some seals lazing around on Abertay Sands. There's an awful lot of sand in this corner of Fife. In fact, this section of coast is growing at a healthy rate. I cut across the dunes and came across more tank traps. It turns out these were constructed on the high tide line by Polish forces in 1941. The sea is to the left in the photo below.
By this time I had turned my final corner. As at Fife Ness, the vista swings round and we're on the Tay. All that walking on sand had taken it out of me though, and the section round to Tayport felt like a real task. Also, my idea of cutting across the mudflats was not a very good one. But there we are, all the best walks should have an ill-considered section.
Let's end with more bridges.
From Newport-on-Tay I caught a bus into Dundee and refreshed myself with Irn Bru, then caught a train home. I realized that, oddly, I'd never been on the Tay Bridge before. From the train, you can see the piers of the original bridge (the one that memorably blew down in 1879) poking out of the water.
Friday, March 13, 2009
Fife coastal walk: 5
Partly because of the amount of golf on this stage of the walk, and partly because of the indifferent weather, I didn't take many pictures of landscape. So I thought that this time we'd do some nature study instead of a travelogue.
I've always loved lichens. That sounds a bit sinister, but they are odd things: not-quite-plants that change and soften the appearance of a lot of objects in the landscape. I've no idea what species these ones are, but they form a fantasy landscape of their own.
I can't remember ever seeing fungi like this before. If anybody knows what kind it is, let me know.
I do know that these are winter aconites, and very pretty they look too.
The Buddo rock looks incongrous and Dali-esque. Lapsed climbers like me will enjoy doing a bit of back and foot to reach the top via the cleft that runs through the rock. Pity it's full of bird shit.
All the pictures were taken between Kingsbarns and St Andrews. Next time, Tentsmuir Forest.
I've always loved lichens. That sounds a bit sinister, but they are odd things: not-quite-plants that change and soften the appearance of a lot of objects in the landscape. I've no idea what species these ones are, but they form a fantasy landscape of their own.
Thursday, March 12, 2009
Signs and portents
This morning a heron flew past our office with a frog in its beak. The frog didn't seem happy with how things were going, and the heron couldn't seem to find anywhere to settle down and eat the frog.
Monday, March 09, 2009
Quis custodiet ipsos custodes?
I don't normally do this, mind, but last night I went to see a film based on a comic book. The fact that the work in question is Watchmen made the decison much easier. It's pretty good. Zac Snyder (he of the visually interesting but silly 300) has put in a good effort and has managed to translate a lot of the long and complex original to the screen. In fact, over-faithfulness may be the main failing here. Many shots follow the original virtually frame by frame, which may please obsessive fan boys, but one suspects it may not get to the nub of what the whole piece is about. There is a lot to like though, including a brilliant opening montage sequence which covers forty or so years of alternative history, Kennedy assassination, moon landing and all. A small blow for male nudity on screen is struck by the inclusion of Dr Manhattan's cock (blue and glowing, of course). Perhaps inevitably, there are too many Hollywood conventions, including slow motion fight sequences, which tend to glamourise the protagonists too much. They are meant to be morally ambiguous misfits and losers, remember?
But don't listen to me. Check out what young Jimmy Critic says!
But don't listen to me. Check out what young Jimmy Critic says!
Thursday, February 12, 2009
Fife coastal walk: 4
It was snowing hard in Edinburgh as I caught the bus for Anstruther and part 4 of this saga. Almost miserable enough for me to decide not to go, but I persevered, and am glad I did. Anstruther looked picturesque in the sun, and there were fine views across the Forth to the snow-covered Pentlands. I really ought to go to the fishery museum sometime, but onwards!

Islands and hills dominated the view for a while, what with the Isle of May being close by, and the Bass rock and Berwick Law defining the southern shore. The last cute fishing village on this walk is Crail, which has a harbour partially built by Robert Stevenson.

A pill box near Fife Ness was so neat inside that it looked as though somebody had put it up a few years ago. They must have had a good batch of concrete in 1940. The northerly firing slit commanded a view over a golf course, and I indulged myself for a few minutes with fantasies of mowing down golfers on the 16th green with a Bren gun.

If, like me, you think of the map of Fife as being like a Scottie dog seen in profile, then Fife Ness is the tip of the dog's nose. It's certainly cold and wet. The view across the Firth of Forth rotates out of sight, and you have a new vista out to sea, with the snow-covered hills of Angus ahead.

Just past the Ness itself is a flat area of rock with some concentric circles on it. This is where Robert Stevenson knocked up the light for the North Carr Rocks before deploying it. So we're back at industrial archaeology.

Having rounded Fife Ness, you are on the "golf coast", God help you. As you may have guessed, I detest the game and everything to do with it. I therefore found the next couple of miles very trying, as they skirt a course, and are prefaced by a sign that tartly requests you to walk on the shore and not on their course, and specifically not to visit Constantine's cave. This cave is where tradition suggests that Constantine I was killed in 874, while trying to repel a Danish invasion. Or maybe he wasn't. Anyway, the cave lies all of five meters from the shore, and dangerous subversive that I am, I took a picture.

The light was getting rather lovely by about 3 o'clock or so, and it was tempting to keep going and soak up the views. However a local bus to St Andrews from Kingsbarns looked like a good deal, and I took some pictures while waiting. It felt very cold once I had stopped for a while—amazing how a good walk warms you up.
Islands and hills dominated the view for a while, what with the Isle of May being close by, and the Bass rock and Berwick Law defining the southern shore. The last cute fishing village on this walk is Crail, which has a harbour partially built by Robert Stevenson.
A pill box near Fife Ness was so neat inside that it looked as though somebody had put it up a few years ago. They must have had a good batch of concrete in 1940. The northerly firing slit commanded a view over a golf course, and I indulged myself for a few minutes with fantasies of mowing down golfers on the 16th green with a Bren gun.
If, like me, you think of the map of Fife as being like a Scottie dog seen in profile, then Fife Ness is the tip of the dog's nose. It's certainly cold and wet. The view across the Firth of Forth rotates out of sight, and you have a new vista out to sea, with the snow-covered hills of Angus ahead.
Just past the Ness itself is a flat area of rock with some concentric circles on it. This is where Robert Stevenson knocked up the light for the North Carr Rocks before deploying it. So we're back at industrial archaeology.
Having rounded Fife Ness, you are on the "golf coast", God help you. As you may have guessed, I detest the game and everything to do with it. I therefore found the next couple of miles very trying, as they skirt a course, and are prefaced by a sign that tartly requests you to walk on the shore and not on their course, and specifically not to visit Constantine's cave. This cave is where tradition suggests that Constantine I was killed in 874, while trying to repel a Danish invasion. Or maybe he wasn't. Anyway, the cave lies all of five meters from the shore, and dangerous subversive that I am, I took a picture.
The light was getting rather lovely by about 3 o'clock or so, and it was tempting to keep going and soak up the views. However a local bus to St Andrews from Kingsbarns looked like a good deal, and I took some pictures while waiting. It felt very cold once I had stopped for a while—amazing how a good walk warms you up.
Monday, February 02, 2009
Fife coastal walk: 3
Episode three of this wee adventure rapidly developed its own character. I rejoined the route at Leven, next to the disused power station, but turning to the left and walking along the beach soon left industrial Fife behind. Largo Law beckoned in front of me.
Although the day was dry and fairly clear, there was a strong wind off the sea, so I had to wear a lot of fleece and keep moving. I did manage to take a lot of pictures though. I'm really pleased with my new(ish) camera−it lets me do a lot of things that I couldn't before, including taking hand-held shots on windy beaches without much camera shake.

Largo is famous as the birthplace of Alexander Selkirk, the historical figure on whom Robinson Crusoe was based. Here's a statue of him.

After Largo, there was another fine beach, over which the wind whistled unhindered. The flat openness probably also explains various Second World War defences that are found there. There are lots of tank traps (concrete cubes) in a line along the beach, and a few concrete pill-boxes with a field of fire to the sides in case Jerry managed to land and get past the cubes.

After skirting a drift of caravans at Shell Bay, I wandered up my first bit of cliff of the day, showing that I was now in the East Neuk. I already knew that there was a Klettersteig along the base of the cliffs here, but it didn't seem like the day to try it. Instead I walked along the headland, passing some former gun emplacements as I went.
After pausing for some overpriced food in Elie, I followed the now rather rocky coast to some classic fishing villages. St Monans church is mediaeval and very close to the sea. The path in front of the church takes you within splashing distance.

Days are lengthening a little now, so I managed to keep going until Anstruther at 4.30, where I was nicely in time for my bus home. Passing back in the gathering dusk through the places I had just walked through, I could still see the waves beating on the shore.
Largo is famous as the birthplace of Alexander Selkirk, the historical figure on whom Robinson Crusoe was based. Here's a statue of him.
After Largo, there was another fine beach, over which the wind whistled unhindered. The flat openness probably also explains various Second World War defences that are found there. There are lots of tank traps (concrete cubes) in a line along the beach, and a few concrete pill-boxes with a field of fire to the sides in case Jerry managed to land and get past the cubes.
After skirting a drift of caravans at Shell Bay, I wandered up my first bit of cliff of the day, showing that I was now in the East Neuk. I already knew that there was a Klettersteig along the base of the cliffs here, but it didn't seem like the day to try it. Instead I walked along the headland, passing some former gun emplacements as I went.
After pausing for some overpriced food in Elie, I followed the now rather rocky coast to some classic fishing villages. St Monans church is mediaeval and very close to the sea. The path in front of the church takes you within splashing distance.
Days are lengthening a little now, so I managed to keep going until Anstruther at 4.30, where I was nicely in time for my bus home. Passing back in the gathering dusk through the places I had just walked through, I could still see the waves beating on the shore.
Sunday, February 01, 2009
Monday, January 19, 2009
Genius

Genius was a cartoon that appeared in the Observer from 1978 to 1983. It featured Anode Enzyme, the greatest genius since Leonardo, who had an IQ of 12, 794 (it was higher, but he lost a few points through watching television). Working for Lord Doberman, the world's richest man, gave him a lot of freedom, but he mostly confined his talents to doing whimsically obscure things like firing colour televisions into the sea, or recording the sound of a tape recorder being destroyed by a chain saw. Aged about 11 or 12, I hugely admired this serial work, so much so that I collected the strips for a while, pasting them into an old notebook. It's hard to say whether I prefered the surreal humour, the delightfully messy ink drawings and lettering, or the rather lovely watercolour that formed the main part of each week's installment. They clearly came from a complex, witty, un-bourgeois, and generally splendid intelligence. It always felt faintly subversive, as if nobody at the nice paper quite knew what the chap was up to. They never really gave it enough space. The same point is made in a nice appreciation here. I recently came across my yellowing cuttings, complete with original dates in my own childish hand. The one above was undated, before you ask.
John Glashan, the creator of Genius, seems to have rather sunk without trace. A great pity.
Sunday, January 18, 2009
Tony Hart
Tony Hart has died. I spent a lot of my childhood watching him, on shows like Vision On, and Take hart. Like most of the best TV presenters, the programs were never about him. They were generous, encouraging to aspiring artists like me, and always fun.
Friday, January 09, 2009
Happy New Year
And now, nuclear war.
I grew up in a threatened generation: in the late 70s and early 80s. It already seems a long time ago, but there was a real prospect then that something very big could kick off. I don't remember this being talked about much, although it would surface as nervous laughter at school: "Imagine Miss Watt announcing a three-minute warning over the Tannoy!" One focus for these fears was the television film Threads (1984).
It is a docudrama that tells the likely consequences of a nuclear exchange on Sheffield, and when I watched it—aged 15—it scared the shit out of me. Recently, Rog pointed out to me that you could watch Threads on Youtube (all 13 parts). Now I have, and it remains riveting.
Despite almost 25 years elapsing, some of the scenes were still vivid in my mind, though I had forgotten that some of them belonged to this film. Take, for example, the woman wetting herself in the street, or Ruth giving birth in some straw with a barking dog outside, or the post-apocalypse children blankly watching a scratchy video about skeletons.
The documentary angle helps the film and means that it doesn't just become incoherent and shouty. Paul Vaughan's narration of chaos was particularly effective, as he regularly voiced episodes of Horizon at the time.
Near the end, we see that children born after the attack are evolving their own corrupted form of speech. Give it a few centuries more and you have Riddley Walker.
I grew up in a threatened generation: in the late 70s and early 80s. It already seems a long time ago, but there was a real prospect then that something very big could kick off. I don't remember this being talked about much, although it would surface as nervous laughter at school: "Imagine Miss Watt announcing a three-minute warning over the Tannoy!" One focus for these fears was the television film Threads (1984).
It is a docudrama that tells the likely consequences of a nuclear exchange on Sheffield, and when I watched it—aged 15—it scared the shit out of me. Recently, Rog pointed out to me that you could watch Threads on Youtube (all 13 parts). Now I have, and it remains riveting.
Despite almost 25 years elapsing, some of the scenes were still vivid in my mind, though I had forgotten that some of them belonged to this film. Take, for example, the woman wetting herself in the street, or Ruth giving birth in some straw with a barking dog outside, or the post-apocalypse children blankly watching a scratchy video about skeletons.
The documentary angle helps the film and means that it doesn't just become incoherent and shouty. Paul Vaughan's narration of chaos was particularly effective, as he regularly voiced episodes of Horizon at the time.
Near the end, we see that children born after the attack are evolving their own corrupted form of speech. Give it a few centuries more and you have Riddley Walker.
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